Come and Join us for the Second Annual San Francisco Fashion Awards.
The most fun Summer Fashion Event in San Francisco.
Including Pool Party, BBQ, Runway Show with 13 Designers, plus a Trunk Sal...
The stop-action film is a very creative presentation of the class's installations, projects and travels. The school's "new wave of different architectures" is apparent in the film, even though depth of presentation is lacking in its rapid-fire style. But that's probably the point, eh? Convey the essence of the school's architecture department by using the images and sounds of the medium of film/video as a supplement to architectural production. The film's concept parallels the architectural concept. Whatever the case, it's refreshing to see that drawing and physical model-building are still taught in architecture schools today.
I'm taking a long 4th of July weekend out of town away from the city and computers. Posts will resume early next week. My weekly page will resume on July 13.
Notification of upto35, an international competition for architects up to 35 years old, landed in my inbox earlier today. It asks for "proposals for the construction of a student housing unit in Kerameikos and Metaxourgeio (KM), an area in the historic center of Athens, Greece...Special emphasis is placed on exploring structures that consist of separate student housing units with the capacity to acquire a viral character within the urban tissue and sprawl into nearby empty lots." Sounds interesting, though unfortunately I just miss the cut. If only it were upto36...
Click the image for more information and to check out the well-designed web page.
The Monacelli Press has announced a five-volume monograph on Skidmore, Owings & Merrill (SOM), spanning 1950-2008. Each volume spans about ten years and features introductions by Henry Russell-Hitchcock (1950-62), Arthur Drexler (1963-73), Albert Bush-Brown (1974-83), Detlef Mertins (1984-96), and Kenneth Frampton (1997-2008), as well as commentaries similar to their SOM Journals.
The first three volumes are reprints of the original Verlag Gerd Hatje editions, while the last two are brand-spanking new, covering some exciting years when the firm's corporate sheen was enlivened with some exceptional output, particularly schools. Owning all five is most likely only for die-hard fans (how many are there?), but each volume neatly encompasses the evolving phases of the corporate powerhouse's long tenure as one of the most successful and important american architecture firms.
Afterparty, this year's P.S.1 Young Architects Program by MOS, 2009. The installation opened Sunday and runs until September 28. Also on display at the museum is YAP 10th Anniversary Review, "a visual chronicle of P.S.1 Contemporary Art Center and The Museum of Modern Art's Young Architects Program, one of the most acclaimed architectural arenas for emerging talent of the last decade."
Over at David Byrne's blog I came across this monstrosity by none other than Michael Graves, the Federal Reserve Bank of Dallas in Houston, Texas. The former Talking Head memorably says, "This very out of place structure somehow lingers, like a fart left by someone no longer in an elevator."
[Federal Reserve Bank of Dallas in Houston, TX by Michael Graves & Associates | image source]
The architect explains the building "is a 300,000-square-foot office building and regional bank-processing center. A pitched roof marks the wing housing secure cash processing facilities on the lower floors, while a boardroom, meeting rooms, and dining rooms benefit from panoramic views of the Houston skyline visible from the two levels above. The wing opposite contains the storage vault under a green tile barrel-vaulted roof. These volumes are intended to exhibit the Bank’s commitment to security, as the loggia at the building’s entrance suggests outreach and openness."
[Federal Reserve Bank of Dallas in Houston, TX by Michael Graves & Associates | image source]
The Masonry Contractor's Association of America (MCAA) calls the building a true "masonry masterpiece." Why? One reason is because "Mr. Graves used masonry extensively for both the exterior and interior construction." How much is extensive? "The overall exterior consists of 537,000 closure brick (4"x8"x4"), 31,400 blue structural glazed tile (8"x8"x4"), 90,000 modular accent brick and 3,307 cubic feet of cast stone. Additionally, the architect utilized 3,428SF of green precast paving (to match the color of money) at the main entrance stairways and accent pavers in the concrete plaza...over 178,450 fully grouted and extensively reinforced concrete masonry units were used for backup and partition walls...Over 5,800 SF of Hadrian limestone and Palamino tile adorns the main entrance lobby, boardroom and executive restrooms. Green glazed tile units (over 15,000 of them) were used in the walls of the cash processing areas as well." That's alotta masonry!
[Federal Reserve Bank of Dallas in Houston, TX by Michael Graves & Associates | image source]
Another reason the MCAA loves this building is because Mr. Graves made the thing look like it was made of GIGANTIC bricks, like a toy model blown up to the scale of a real building inhabited by real people. Those 31,400 blue structural glazed tiles help make the majority of the exterior walls read in this manner; they are the mortar to the 537,000 closure bricks "bricks." It's deplorable, as if Mr. Graves is regressing into a grade-schooler. I'm surprised that the Federal Reserve Bank sees this postmodern playfulness as appropriate for a fairly serious institution. Perhaps they are trying to paint a goofy face on highly secure facility.
[Federal Reserve Bank of Dallas in Houston, TX by Michael Graves & Associates | image source]
That said, I actually like the footprint and massing of the building, the way it fizzles from the pedimented face fronting the highway to the old building it is linked to. The colonnaded roof deck is equally hokey, and maybe unusable during many months in Houston, but it seems to be in the right place. Nevertheless, it does not make up for a design that continues Mr. Graves' treatment of buildings as purely graphic exercises, apparently removed from the considerations of not only occupants but those that are confronted with his buildings on the outside.
[Federal Reserve Bank of Dallas in Houston, TX by Michael Graves & Associates | image source]
Brandon Safford's I Dream of Architecture, a new blog I linked to last Monday, has posted an interview with me, in which we discuss architecture, education, blogging, and other fun topics. Accompanying the interview are images from my CCNY Urban Design studio final project (the flip book one) in Lago Agrio, Ecuador.
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A Blog Flash Back.
rainy day trans-continental / Wednesday, October 29, 2008
by Rafael Davis
Joshua is from Australia, a brother in wanderlust. I know him from Madrid. When I went to Portugal, Joshua set off walking the Camino de Santiago. He is currently in Edinburgh, Scotland.
joshua -
it was great to hear from you. hope you've come closer to resolving your existential dilemma in the scot-lands. you've got a good head on your shoulders. i'm sure you'll do fine.
cincy was hectic. i did find myself in my old haunts a few times and did feel that womb-like security, but sometimes it lapsed into that too-familiar stultification. many of my friends had gotten pregnant/married, a couple were dead, and many more had scattered to the wind. for all that though, cincy was still the same place it was when i left. all the reasons i had for leaving were still completely valid. this might sound like silly, egotistical reasoning, but just a couple of friends really missed me, and it had a two-fold effect: it galvanized me against many of the people who had claimed to be my friend, and it did make me a little sad to leave the ones who really did care. i think it's pathetic that people i've only known for a couple of years here in california are better friends than people i've known for a decade in ohio. that said, i do have a core of friends who mean the world to me back in cincy. i was a little sad to leave it, but i was more glad than sad.
things i miss about madrid: my friends (of course), walking through lavapies with carlos telling me bits about that neighborhood in which he grew up, the verve of the patio, of course, playing guitar and sharing fruit and booze with strangers in the retiro, pounding up the back roads of Vallekas on my bike late at night with a load of tea in my bag. looking at the mesa from the Pedriza watching the sun go down with my girl from ohio (mind trip!). there's lots to miss...
i flew to frisco. boring, i know, but i had my shit to deal with...i slept in a borrowed tent on the roof of a friend's house in Excelsior for a month and finally landed a decent flat 150 yards from Baker Beach, in the Presidio. i share it with the fellow i was sharing the roof with: a jew named Sam Israel. he plays bass in my band (we've only played three shows, but they've all been fairly successful).
i got a job as a nude model at the art institute. in addition to the modeling gig, there's a chain of three family-owned theatres here in the north west corner of the city, and i got hired on just by walking up and asking for a job. i was pretty surprised when they called me back. it's really, really easy and low stress. i make just enough to scrape by, but, as my mama used to say, 'sure beats a kick in the seat of the pants.' i work with a couple of mongolians and they're teaching me a few words of mongolian. it's cool, because it is an asian language, but uses a cyrillic characters (like russian). the practically negligible bit of greek and russian i know does help a little. i've always been in love with the steppes ever since i was nine or ten and read the biography of genghis khan. maybe in a few years.... i'm just getting settled in but i get itchy feet every once in a while, each time stronger than the last.
the other night i rode my bike across the golden gate bridge to sausalito. a woman from cincy, named sara, lives in a sailboat in the marina there. she teaches special ed kids, but everyone else in the marina is ex-military, as this whole area used to be a giant army base. oh yeah, there is one conciencious objector who lives there (he went to prison for not going to 'nam). there was a kickin' band at the clubhouse, the beer flowed freely, and it was a really fun night. i slept on the sailboat and when i woke up a baby seal was eating a crab on the jetty and sara went and petted it. i have to say, though, that drinking with old sailors didn't really help my case of wanderlust. i can hold out at least a year, i think. maybe more, if i take a few short trips. one of my mexican buddies from madrid, rafa (whom i believe you met), is coming to visit this weekend. that'll probably make me want to hit the road even more.
as for women, it's pretty hilarious. my friend sara (from cincy) set me up with her co-worker H. on a double date. H. seemed nice: berkeley grad, 26, cute, into yoga, punk rock, etc. a few dates later, i spent the night. nothing crazy, just some high-school level making out. in the morning, she takes a shower and says "you can use my computer while you wait." cool, i need to check up on a couple of job applications. i need to e-mail my resume to someone, so i download it off my e-mail but....it disappeared! i search for 'resume.doc' and click on the first one that comes up, assuming it's mine and sweet jesus! it's a crazy list of sex acts, kinks, and deviations that would turn your hair curly, all in a very professional resume form. you know i'm no prude, but man, that was too much. under the "Future Endevours" heading, she put:
Soft core pornography modeling
Hard core pornography fucking
Having really healthy, loving relationships
Establishing life partners
that's probably the least disturbing (and most hilarious) part of her 'resume.' you get the idea.
and she seemed like such a nice girl.... glad i found this out now and not post-coitus. i believe the moral of this story is, "rafa, be single for a long time."
my life is almost "normal" now. there is a certain comfort that comes from the stable, work-all-the-time-drink-with-the-mates-on-the-weekend existence. feels like the sojourn i had between graduation and travel...not how i want to spend the rest of my life, but i feel that now, in my working bachelorhood, i am laying the groundwork for future adventures. if you are on the road and have a place to come to, you are travelling, but if you have nothing to come to, you are simply lost.
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